Saturday, April 30, 2016

Favorite Filipino Delicacy (May 5, 2016)




 Adobong Manok


Chicken Adobo is just 1 of the many variety of Adobo Recipes. I assume it's on the top 2 of the list of most favorite adobo recipe, top 1 is Pork Adobo and on the third place i guess, is the mixture of both which is the Chicken and Pork Adobo. Since this is adobo, there is no right or wrong of cooking it as long as you have the basic ingredients such as soy sauce and vinegar (and of course the meat). You will never go wrong in cooking this delicious saucy brown dish, even a non-pro can cook this in as easy as 1-2-3.

A little knowledge about the recipe. The word "adobo" is derived from a Spanish word "adobar" which simply means marinade. History says that the spanish brought the Adobo recipe to the philippines, but some food historians says that even before the Spanish conquerors found the Philippines, the way of cooking adobo already exist and practiced by the native filipinos. It is called "pickling", a method of cooking or a process of preserving food by marinating the meat or other fruits and vegetables in vinegar and/or salt. In this way, the food last in longer period of time without spoiling. The vinegar and salt kills all the bacteria that causes the food to spoil. What about the soy sauce? Okay, the black liquid ingredient or the soy sauce were introduced to the philippines by the chinese traders. Soy sauce became a good substitute to the salt then later on completely became officially the perfect match for vinegar when cooking adobo recipe. Since filipinos are fond of sweet foods, adding sugar to the dish is just another sweet option and is a complement to adobo dish. Iguess, the perfect combination of the vinegar, soy sauce and sugar is the reason why adobo became the national dish of the philippines.






Ingredients (1 batches) 


1. 1 kilo chicken, cut into serving pieces
2. 1/2 cup white vinegar
3. 1/2 cup soy sauce
4. 3 potatoes, peeled and sliced in wedge
5. 4 cloves garlic, whole (peeled)
6. 1 to 2 cups water
7. 1/4 cup cooking oil
8. 2 tbsp. brown sugar (or less)
9. 3 pcs dried bay leaves
10. 1 tsp. whole peppercorn


 

HOW TO COOK CHICKEN ADOBO:

1. Wash the chicken with salt and running water. Drain and set aside.
2. In a large and clean container, combine the soy sauce, garlic, bay leaves, peppercorns and brown sugar then marinade the chicken for 1 to 3 hours. Put inside the fridge.
3. Heat the cooking oil in a pan over medium fire.
4. Fry the potatoes and garlic (from the marinade) until light brown. Set aside.
5. Pick the chicken from the marinade. Set aside.
6. Using the same oil, add the marinated chicken and sauté for 5 minutes or until it becomes light brown.
7. Pour-in the remaining marinade and add 1 cup of water. Let it simmer for 10 minutes or until the chicken is tender. (Heat is on medium to low).
8. Season with salt and add more sugar according to your desired sweetness.
9. Add in the fried potatoes and garlic. Stir gently. Cover and simmer for 3 minutes over low heat.
10. Turn off the fire.
11. Plate and serve hot. Bon appetit!

TIPS:

1. Put more garlic to add more flavor to the oil.
2. Frying the chicken, potatoes and garlic intensifies the flavor of the adobo sauce.
3. You can use a cornstarch mixture (1 tbsp. cornstarch to ½ cup of water) to thicken the adobo sauce.
4. More sugar, more Filipino flavor!


Adobong Manok is a delicious Filipino food, it is made up of chicken. I like adobong manok because whenever my mother cooks adobo I always need extra rice. You can cook adobong manok at any occasions. Adobong manok is a delicious delicacy because of the soy sauce and vinegar mix together.

Favorite Filipino Poems (May 04,2016)



KALUPI NG PUSO

Talaan ng aking mga dinaramdam,
Kasangguning lihim ng nais tandaan,
bawat dahon niya ay kinalalagyan
ng isang gunitang pagkamahal-mahal
Kaluping maliit sa tapat ng puso
ang bawat talata’y puno ng pagsuyo,
ang takip ay bughaw, dito nakatago
ang lihim ng aking ligaya’t siphayo.
Nang buwan ng Mayo kami nagkilala
at tila Mayo rin nang magkalayo na;
sa kaluping ito nababasa-basa
ang lahat ng aking mga alaala.
Nakatala rito ang buwan at araw
ng aking ligaya at kapighatian…
isang dapithapo’y nagugunam-gunam
sa mga mata ko ang luha’y umapaw…
Anupa’t kung ako’y tila nalulungkot
binabasa-basa ang nagdaang lugod;
ang alaala ko’y dito nagagamot,
sa munting kaluping puno ng himutok.
Matandang kalupi ng aking sinapit
dala mo nang lahat ang tuwa ko’t hapis;
kung binubuksan ka’y parang lumalapit
ang lahat ng aking nabigong pag-ibig.
Sa dilaw mong dahong ngayon ay kupas na
ang lumang pagsuyo’y naaalaala,
O, kaluping bughaw, kung kita’y mabasa
masayang malungkot na hinahagkan ka…
May ilang bulaklak at dahong natuyo
na sa iyo’y lihim na nangakatago,
tuwi kong mamasdan, luha’y tumutulo
tuwi kong hahagkan, puso’y nagdurugo.

PUSO, ANO KA?

Ang puso ng tao ay isang batingaw,
sa palo ng hirap, umaalingawngaw
hihip lang ng hapis pinakadaramdam,
ngumt pag lagi nang nasanay, kung minsan,
nakapagsasaya kahit isang bangkay.
Ang puso ng tao’y parang isang relos,
atrasadong oras itong tinutumbok,
oratoryo’y hirap, minutero’y lungkot,
at luha ang tiktak na sasagot-sagot,
ngunit kung ang puso’y sanay sa himutok
kahit libinga’y may oras ng lugod.
Ang puso ay ost’ya ng tao sa dibdib
sa labi ng sala’y may alak ng tamis,
kapag sanay ka nang lagi sa hinagpis
nalalagok mo rin kahit anung pait,
at parang martilyo iyang bawat pintig
sa tapat ng ating dibdib na may sakit.
Kung ano ang puso? Ba, sanlibrang laman
na dahil sa ugat ay gagalaw-galaw,
dahil sa pag-ibig ay parang batingaw,
dahil sa panata ay parang orasan,
at mukhang ost’ya rin ng kalulwang banal
sa loob ng dibdib ay doon nalagay.

ISANG PUNUNGKAHOY

Kung tatanawin mo sa malayong pook,
ako’y tila isang nakadipang kurus;
sa napakatagal na pagkakaluhod,
parang ang paa ng Diyos.Organo sa loob ng isang simbahan
ay nananalangin sa kapighatian,
habang ang kandila ng sariling buhay
magdamag na tanod sa aking libingan.
Sa aking paanan ay may isang batis,
maghapo’t magdamag na nagtutumangis;
sa mga sanga ko ay nangakasabit
ang pugad ng mga ibon ng pag-ibig.
Sa kinislap-kislap ng batis na iyan,
asa mo ri’y agos ng luhang nunukal;
at saka ang buwang tila nagdarasal,
ako’y binabati ng ngiting malamlam.
Ang mga kampana sa tuwing orasyon,
nagpapahiwatig sa akin ng taghoy,
ibon sa sanga ko’y may tabing nang dahon,
batis sa paa ko’y may luha nang daloy.
Ngunit tingnan ninyo ang aking narating,
natuyo, namatay sa sariling aliw.
Naging kurus ako ng pagsuyong laing
at bantay sa hukay sa gitna ng dilim.
Wala na, ang gabi ay lambong na luksa,
panakip sa aking namumutlang mukha!
Kahoy na nabuwal sa pagkakahiga
ni ibon, ni tao’y hindi na matuwa.
At iyong isiping nang nagdaang araw,
isang kahoy akong malago’t malabay.
Ngayon, ang sanga ko’y kurus sa libingan,
dahon ko’y ginawang korona sa hukay!

KAMAY NG BIRHEN

Mapuputing kamay, malasutla’t lambot,
kung hinahawi mo itong aking buhok,
ang lahat ng aking dalita sa loob
ay nalilimot ko nang lubos na lubos.
At parang bulaklak na nangakabuka
ang iyong daliring talulot ng ganda,
kung nasasalat ko, O butihing sinta,
parang ang bulaklak kahalikan ko na.
Kamay na mabait, may bulak sa lambot,
may puyo sa gitna paglikom sa loob;
magagandang kamay na parang may gamot,
isang daang sugat nabura sa haplos.
Parang mga ibong maputi’t mabait
na nakakatulog sa tapat ng dibdib;
ito’y bumubuka sa isa kong halik
at sa aking pisngi ay napakatamis.
Ang sabi sa k’wento, ang kamay ng birhen
ay napababait ang kahit salarin;
ako ay masama, nang ikaw’y giliwin,
ay nagpakabait nang iyong haplusin.


                     SA PAMILIHAN NG PUSO

Huwag kang iibig nang dahil sa pilak
pilak ay may pakpak
dagling lumilipad
pag iniwan ka na, ikaw’y maghihirap.
Huwag kang iibig nang dahil sa ganda
ganda’y nagbabawa
kapag tumanda na
ang lahat sa mundo’y sadyang nag-iiba.
Huwag kang iibig sa dangal ng irog
kung ano ang tayog
siya ring kalabog
walang taong hindi sa hukay nahulog.
Huwag kang iibig dahilan sa nasang
maging masagana
sa aliw at tuwa
pagkat ang pag-ibig ay di nadadaya…
Kung ikaw’y iibig ay yaong gusto mo
at mahal sa iyo
kahit siya’y ano,
pusong-puso lainang ang gawin mong dulo.
Kung ikàw’y masawi’y sawi kang talaga
ikaw na suminta
ang siyang magbata;
kung maging mapalad, higit ka sa iba.
Sa itong pag-ibig ay lako ng puso
di upang magtubo
kaya sumusuyo
pag-ibig ay hukay ng pagkasiphayo.



Jose Corazon De Jesus (1896-1932) also known as Huseng Batute is one of the greatest Philippine poets and is acknowledged as the King of Balagtasan. Unknown to many, the immortal song "Bayan Ko" was penned by this magnificent bard.

He was born in Sta. Cruz, Manila to Dr. Vicente de Jesus and Susana Pangilinan. Pepito, as he was called, studied at the Liceo de Manila where he got the Bachiller en Artes degree. From the Academia de leyes, he obtained the Bachiller en Leyes degree, but he did not take the bar examination because he was already preoccupied with writing.

His literary inclination was manifested early in life. His first poem,Pangungulila, was written when he was 17 years old. In 1920, he worked for Taliba and began his famous column, Buhay Maynila. He caught the imagination of the readers through his appealing and incisive satire.

Most of his popularity rested on lyrical jousts he had with Florentino Collantes. This literary genre was practically unknown until popularized by Jose. The first of these encounters was Paru-paro’t Bubuyog held at the Instituto de Mujeres.

He excelled in the beauty of language, in charm and luxuriance of expression, and in dramatic delivery. Later on, he was proclaimed King of Balagtasan.

Like a whirling silent storm, or a silent spring that wells up, he made immense contributions to Tagalog literature. His Buhay Maynila column alone published about 4,000 poems; Ang Lagot na Bagting, written in more serious trend, numbered about 800 poems. He also wrote some 300 short poems and prose.

In the 15 literary contests he joined, he won either first prize or second prize. In lyrical jousts, he received three silver trophies and four gold medals.

His poems like Ang Puso Ko, Ang Pamana, Ang Panday, Ang Manok Kong Bulik, Ang Pagbabalik, andSa Halamanan ng Dios were featured in poetry reading sessions in colleges and literary circles. They were also pieces for declamatiom contests.

Pepito died of ulcer on May 26, 1932. He was only 36. His heart was preserved by the government until it was buried with his mother. His body was buried under a tree in fulfillment of his wish expressed in two of his last poems—Isang Punong Kahoy and Ang Akasya.